Showing posts with label sovereignty. Show all posts
Showing posts with label sovereignty. Show all posts

Tuesday, January 5, 2021

From Alice's Adventures Through the Looking Glass

Like nature's recommendations algorithm, Tenet (2020) made me revisit this, by Lewis Carroll:

‘The rule is, jam to-morrow and jam yesterday—but never jam to-day.’

‘It must come sometimes to “jam to-day,”’ Alice objected.

‘No, it can’t,’ said the Queen. ‘It’s jam every other day: to-day isn’t any other day, you know.’

‘I don’t understand you,’ said Alice. ‘It’s dreadfully confusing!’

‘That’s the effect of living backwards,’ the Queen said kindly: ‘it always makes one a little giddy at first—’

‘Living backwards!’ Alice repeated in great astonishment. ‘I never heard of such a thing!’

‘—but there’s one great advantage in it, that one’s memory works both ways.’

‘I’m sure mine only works one way,’ Alice remarked. ‘I can’t remember things before they happen.’

‘It’s a poor sort of memory that only works backwards,’ the Queen remarked.

‘What sort of things do you remember best?’ Alice ventured to ask.

‘Oh, things that happened the week after next,’ the Queen replied in a careless tone. ‘For instance, now,’ she went on, sticking a large piece of plaster on her finger as she spoke, ‘there’s the King’s Messenger. He’s in prison now, being punished: and the trial doesn’t even begin till next Wednesday: and of course the crime comes last of all.’

‘Suppose he never commits the crime?’ said Alice.

‘That would be all the better, wouldn’t it?’ the Queen said, as she bound the plaster round her finger with a bit of ribbon.

Alice felt there was no denying that. ‘Of course it would be all the better,’ she said: ‘but it wouldn’t be all the better his being punished.’

‘You’re wrong there, at any rate,’ said the Queen: ‘were you ever punished?’

‘Only for faults,’ said Alice.

‘And you were all the better for it, I know!’ the Queen said triumphantly.

‘Yes, but then I had done the things I was punished for,’ said Alice: ‘that makes all the difference.’

‘But if you hadn’t done them,’ the Queen said, ‘that would have been better still; better, and better, and better!’ Her voice went higher with each ‘better,’ till it got quite to a squeak at last.

Alice was just beginning to say ‘There’s a mistake somewhere—,’ when the Queen began screaming so loud that she had to leave the sentence unfinished. ‘Oh, oh, oh!’ shouted the Queen, shaking her hand about as if she wanted to shake it off. ‘My finger’s bleeding! Oh, oh, oh, oh!’

Her screams were so exactly like the whistle of a steam-engine, that Alice had to hold both her hands over her ears.

‘What is the matter?’ she said, as soon as there was a chance of making herself heard. ‘Have you pricked your finger?’

‘I haven’t pricked it yet,’ the Queen said, ‘but I soon shall—oh, oh, oh!’

‘When do you expect to do it?’ Alice asked, feeling very much inclined to laugh.

‘When I fasten my shawl again,’ the poor Queen groaned out: ‘the brooch will come undone directly. Oh, oh!’ As she said the words the brooch flew open, and the Queen clutched wildly at it, and tried to clasp it again.

‘Take care!’ cried Alice. ‘You’re holding it all crooked!’ And she caught at the brooch; but it was too late: the pin had slipped, and the Queen had pricked her finger.

‘That accounts for the bleeding, you see,’ she said to Alice with a smile. ‘Now you understand the way things happen here.’

‘But why don’t you scream now?’ Alice asked, holding her hands ready to put over her ears again.

‘Why, I’ve done all the screaming already,’ said the Queen. ‘What would be the good of having it all over again?’

Friday, April 10, 2020

The bits with the crown

In The Famous Victories of Henry the Fifth (anonymous):

HENRY 5: Ah Harry, thrice unhappie, that hath neglect so
long from visiting of thy sicke father, I will goe. Nay but why
doo I not go to the Chamber of my sick father, to comfort the
melancholy soule of his bodie: his soule said I, here is his ...
bodie indeed, but his soule is whereas it needs no bodie.
Now thrice accursed Harry, that hath offended thy father so much,
and could not I craue pardon for all. Oh my dying father,
curst be the day wherin I was borne, and accursed be the
houre wherin I was begotten, but what shal I do? if weeping
teares which come too late, may suffice the negligence neglected
too soone, I wil weepe day and night until the
fountaine be drie with weeping. [Exit.]
[Enter Lord of Exeter and Oxford.]

EXETER: Come easily my Lord, for waking of the King.

HENRY 4: Now my Lords.

OXFORD: How doth your Grace feele your selfe?

HENRY 4: Somewhat better after my sleepe,
But good my Lords take off my Crowne,
Remoue my chaire a litle backe, and set me right.

BOTH: And please your grace, the crown is taken away.

HENRY 4: The Crowne taken away,
Good my Lord of Oxford, go see who hath done this deed:
No doubt tis some vilde traitor that hath done it,
To depriue my sonne, they that would do it now,
Would seeke to scrape and scrawle for it after my death.

[Enter Lord of Oxford with the Prince.]

OXFORD: Here and please your Grace ...
Is my Lord the yong Prince with the Crowne.

HENRY 4: Why how now my sonne?
I had thought the last time I had you in schooling,
I had giuen you a lesson for all,
And do you now begin againe?
Why tel me my sonne,
Doest thou thinke the time so long,
that thou wouldest haue it before the
Breath be out of my mouth?

HENRY 5: Most soueraign Lord, and welbeloued father, ...
I came into your Chamber to comfort the melancholy
Soule of your bodie, and finding you at that time
Past all recouerie, and dead to my thinking,
God is my witnesse, and what should I doo,
But with weeping tears lament the death of you my father,
And after that, seeing the Crowne, I tooke it:
And tel me my father, who might better take it then I,
After your death? but seeing you liue,
I most humbly render it into your Maiesties hands,
And the happiest man aliue, that my father liue: ...
And liue my Lord and Father, for euer.

HENRY 4: Stand vp my sonne,
Thine answere hath sounded wel in mine eares,
For I must need confesse that I was in a very sound sleep,
And altogither unmindful of thy comming:
But come neare my sonne,
And let me put thee in possession whilst I liue,
That none depriue thee of it after my death.

HENRY 5: Well may I take it at your maiesties hands,
But it shal neuer touch my head, so long as my father liues. ...

[He taketh the Crowne.]

HENRY 4: God giue thee ioy my sonne,
God blesse thee and make thee his seruant,
And send thee a prosperous raigne,
For God knowes my sonne, how hardly I came by it,
And how hardly I haue maintained it.

In King Henry IV Part 2 (by Shakespeare):


WARWICK. Will't please your Grace to go along with us?

  PRINCE. No; I will sit and watch here by the King.
                                       Exeunt all but the PRINCE
    Why doth the crown lie there upon his pillow,
    Being so troublesome a bedfellow?
    O polish'd perturbation! golden care!
    That keep'st the ports of slumber open wide
    To many a watchful night! Sleep with it now!
    Yet not so sound and half so deeply sweet
    As he whose brow with homely biggen bound
    Snores out the watch of night. O majesty!
    When thou dost pinch thy bearer, thou dost sit
    Like a rich armour worn in heat of day
    That scald'st with safety. By his gates of breath
    There lies a downy feather which stirs not.
    Did he suspire, that light and weightless down
    Perforce must move. My gracious lord! my father!
    This sleep is sound indeed; this is a sleep
    That from this golden rigol hath divorc'd
    So many English kings. Thy due from me
    Is tears and heavy sorrows of the blood
    Which nature, love, and filial tenderness,
    Shall, O dear father, pay thee plenteously.
    My due from thee is this imperial crown,
    Which, as immediate from thy place and blood,
    Derives itself to me. [Putting on the crown] Lo where it
sits --
    Which God shall guard; and put the world's whole strength
    Into one giant arm, it shall not force
    This lineal honour from me. This from thee
    Will I to mine leave as 'tis left to me. Exit

  KING. Warwick! Gloucester! Clarence!
Re-enter WARWICK, GLOUCESTER, CLARENCE

  CLARENCE. Doth the King call?

  WARWICK. What would your Majesty? How fares your Grace?

  KING. Why did you leave me here alone, my lords?

  CLARENCE. We left the Prince my brother here, my liege,
    Who undertook to sit and watch by you.

  KING. The Prince of Wales! Where is he? Let me see him.
    He is not here.

  WARWICK. This door is open; he is gone this way.

  PRINCE HUMPHREY. He came not through the chamber where we
stay'd.

  KING. Where is the crown? Who took it from my pillow?

  WARWICK. When we withdrew, my liege, we left it here.

  KING. The Prince hath ta'en it hence. Go, seek him out.
    Is he so hasty that he doth suppose
    My sleep my death?
    Find him, my lord of Warwick; chide him hither.
                                                    Exit WARWICK
    This part of his conjoins with my disease
    And helps to end me. See, sons, what things you are!
    How quickly nature falls into revolt
    When gold becomes her object!
    For this the foolish over-careful fathers
    Have broke their sleep with thoughts,
    Their brains with care, their bones with industry;
    For this they have engrossed and pil'd up
    The cank'red heaps of strange-achieved gold;
    For this they have been thoughtful to invest
    Their sons with arts and martial exercises;
    When, like the bee, tolling from every flower
    The virtuous sweets,
    Our thighs with wax, our mouths with honey pack'd,
    We bring it to the hive, and, like the bees,
    Are murd'red for our pains. This bitter taste
    Yields his engrossments to the ending father.
Re-enter WARWICK
    Now where is he that will not stay so long
    Till his friend sickness hath determin'd me?

  WARWICK. My lord, I found the Prince in the next room,
    Washing with kindly tears his gentle cheeks,
    With such a deep demeanour in great sorrow,
    That tyranny, which never quaff'd but blood,
    Would, by beholding him, have wash'd his knife
    With gentle eye-drops. He is coming hither.

  KING. But wherefore did he take away the crown?
Re-enter PRINCE HENRY
    Lo where he comes. Come hither to me, Harry.
    Depart the chamber, leave us here alone.
                          Exeunt all but the KING and the PRINCE

  PRINCE. I never thought to hear you speak again.

  KING. Thy wish was father, Harry, to that thought.
    I stay too long by thee, I weary thee.
    Dost thou so hunger for mine empty chair
    That thou wilt needs invest thee with my honours
    Before thy hour be ripe? O foolish youth!
    Thou seek'st the greatness that will overwhelm thee.
    Stay but a little, for my cloud of dignity
    Is held from falling with so weak a wind
    That it will quickly drop; my day is dim.
    Thou hast stol'n that which, after some few hours,
    Were thine without offense; and at my death
    Thou hast seal'd up my expectation.
    Thy life did manifest thou lov'dst me not,
    And thou wilt have me die assur'd of it.
    Thou hid'st a thousand daggers in thy thoughts,
    Which thou hast whetted on thy stony heart,
    To stab at half an hour of my life.
    What, canst thou not forbear me half an hour?
    Then get thee gone, and dig my grave thyself;
    And bid the merry bells ring to thine ear
    That thou art crowned, not that I am dead.
    Let all the tears that should bedew my hearse
    Be drops of balm to sanctify thy head;
    Only compound me with forgotten dust;
    Give that which gave thee life unto the worms.
    Pluck down my officers, break my decrees;
    For now a time is come to mock at form --
    Harry the Fifth is crown'd. Up, vanity:
    Down, royal state. All you sage counsellors, hence.
    And to the English court assemble now,
    From every region, apes of idleness.
    Now, neighbour confines, purge you of your scum.
    Have you a ruffian that will swear, drink, dance,
    Revel the night, rob, murder, and commit
    The oldest sins the newest kind of ways?
    Be happy, he will trouble you no more.
    England shall double gild his treble guilt;
    England shall give him office, honour, might;
    For the fifth Harry from curb'd license plucks
    The muzzle of restraint, and the wild dog
    Shall flesh his tooth on every innocent.
    O my poor kingdom, sick with civil blows!
    When that my care could not withhold thy riots,
    What wilt thou do when riot is thy care?
    O, thou wilt be a wilderness again.
    Peopled with wolves, thy old inhabitants!

  PRINCE. O, pardon me, my liege! But for my tears,
    The moist impediments unto my speech,
    I had forestall'd this dear and deep rebuke
    Ere you with grief had spoke and I had heard
    The course of it so far. There is your crown,
    And he that wears the crown immortally
    Long guard it yours! [Kneeling] If I affect it more
    Than as your honour and as your renown,
    Let me no more from this obedience rise,
    Which my most inward true and duteous spirit
    Teacheth this prostrate and exterior bending!
    God witness with me, when I here came in
    And found no course of breath within your Majesty,
    How cold it struck my heart! If I do feign,
    O, let me in my present wildness die,
    And never live to show th' incredulous world
    The noble change that I have purposed!
    Coming to look on you, thinking you dead—
    And dead almost, my liege, to think you were—
    I spake unto this crown as having sense,
    And thus upbraided it: 'The care on thee depending
    Hath fed upon the body of my father;
    Therefore thou best of gold art worst of gold.
    Other, less fine in carat, is more precious,
    Preserving life in med'cine potable;
    But thou, most fine, most honour'd, most renown'd,
    Hast eat thy bearer up.' Thus, my most royal liege,
    Accusing it, I put it on my head,
    To try with it—as with an enemy
    That had before my face murd'red my father—
    The quarrel of a true inheritor.
    But if it did infect my blood with joy,
    Or swell my thoughts to any strain of pride;
    If any rebel or vain spirit of mine
    Did with the least affection of a welcome
    Give entertainment to the might of it,
    Let God for ever keep it from my head,
    And make me as the poorest vassal is,
    That doth with awe and terror kneel to it!

  KING. O my son,
    God put it in thy mind to take it hence,
    That thou mightst win the more thy father's love,
    Pleading so wisely in excuse of it!
    Come hither, Harry; sit thou by my bed,
    And hear, I think, the very latest counsel
    That ever I shall breathe. God knows, my son,
    By what by-paths and indirect crook'd ways
    I met this crown; and I myself know well
    How troublesome it sat upon my head:
    To thee it shall descend with better quiet,
    Better opinion, better confirmation;
    For all the soil of the achievement goes
    With me into the earth. It seem'd in me
    But as an honour snatch'd with boist'rous hand;
    And I had many living to upbraid
    My gain of it by their assistances;
    Which daily grew to quarrel and to bloodshed,
    Wounding supposed peace. All these bold fears
    Thou seest with peril I have answered;
    For all my reign hath been but as a scene
    Acting that argument. And now my death
    Changes the mood; for what in me was purchas'd
    Falls upon thee in a more fairer sort;
    So thou the garland wear'st successively.
    Yet, though thou stand'st more sure than I could do,
    Thou art not firm enough, since griefs are green;
    And all my friends, which thou must make thy friends,
    Have but their stings and teeth newly ta'en out;
    By whose fell working I was first advanc'd,
    And by whose power I well might lodge a fear
    To be again displac'd; which to avoid,
    I cut them off; and had a purpose now
    To lead out many to the Holy Land,
    Lest rest and lying still might make them look
    Too near unto my state. Therefore, my Harry,
    Be it thy course to busy giddy minds
    With foreign quarrels, that action, hence borne out,
    May waste the memory of the former days.
    More would I, but my lungs are wasted so
    That strength of speech is utterly denied me.
    How I came by the crown, O God, forgive;
    And grant it may with thee in true peace live!

  PRINCE. My gracious liege,
    You won it, wore it, kept it, gave it me;
    Then plain and right must my possession be;
    Which I with more than with a common pain
    'Gainst all the world will rightfully maintain.

There's actually a three-way comparison available here, if we also include Hal's speech over the sleeping King, compared with how he recounts the incident later. Without necessarily doubting the sincerity of Hal's general gist (he loves his dad, he doesn't want him to die, he's going to mend his ways etc. etc.), we can clearly tell that his recollection embellishes, conceals, and transforms. Hal is not performing his socks off in hope of a moment of cognitive and affective sharing. He's doing something he learned from the best, from Sir John Falstaff: he's coming up with a cover story. The length of the King's lament -- and the kinds of excuses it implicitly pre-empts -- gives the actor playing Hal plenty of tense silence in which to be furiously devising.

(In a similar vein, Falstaff's companions seem to delight in nudging Falstaff into tight corners: Let's see him talk his way out of THIS one. The otherwise ponderous objections his companions tend to raise to Falstaff's excuses confirm this is what's going on: they like to play it straight, and push Falstaff to extremes of brazen and nimble wit).

In view of the theme of debt and indebtedness that runs so prominently throughout Part One and is still doing interesting things in Part Two, it is interesting that what Hal elides is who owes what to whom:

[...] My gracious lord! my father!
    This sleep is sound indeed; this is a sleep
    That from this golden rigol hath divorc'd
    So many English kings. Thy due from me
    Is tears and heavy sorrows of the blood
    Which nature, love, and filial tenderness,
    Shall, O dear father, pay thee plenteously.

Tuesday, June 21, 2016

Stross, Neptune's Brood (outtake)

A bit of a paper I'm working on that grew far too long and far too whimsical and babbly for the paper.

1.

Perhaps Charles Stross’s Neptune’s Brood also deserves a fresh look. Stross emphasizes the debt theme within and around the book, and he’s drawn on David Graeber’s Debt: The First 5,000 Years. But as he readily admits, with everything else he’s juggling in that novel, what he has written is definitely not Debt: The Novel. The sense of the injustice of being born into debt certainly comes through, but besides that, things play out more or less within the conventional moral framework where by and large it's wrong not to pay your debts. Economic obligations map onto moral obligations. That's a framework which Graeber explodes in ways too interesting to try to summarize (read the book).

On the other hand, Stross’s currency system is also extremely interesting for a totally different reason: the way it questions the relationship between money, liquidity and sovereignty in an inter-state system.

Stross has effectively three currencies, but for simplicity, I’ll forget about medium money. Fast money is the kind of money we’re used to: it’s a unit of account and a medium of exchange, it circulates readily. Stross supposes that this kind of money just doesn’t work on the vast timescale which interstellar settlement implies, so he imagines slow money, which can “survive the gulfs of time and space involved.” For colonising stars, terraforming planets, and so on, slow money is used. Slow money is extremely stable, has a very, very low interest rate, and is used for contracts on a timescale of millennia. Every transaction must be verified by a party in another star system. (Imagine that to update the blockchain, you have to wait for a progress bar that takes decades. This is perhaps the first time I've encountered science fiction that uses the hard limit imposed by the speed of light as a kind of advantage, a resource around which a technology can be built).

Now, back in the real world, there is something quite mysterious about the way money operates transnationally. Let me try and estrange it a bit (if that’s the right word). This side of the room be Country A, England. And this side be Country B, Narnia. There are a set of institutions in Narnia that determine, by their own weird and somewhat arbitrary rituals, that some of you have a certain number of points, and you have a certain number of points, and so on. (Demand-driven money creation, we could call it). There are also institutions that say you have to have a certain number of points at certain moments in your life – for paying rent, for paying taxes, perhaps – or you’ll get in trouble. There are also institutions that enforce (potentially violently) almost all agreements you Narnians make among yourselves when those agreements mention points. So: the sovereign exercises its monopoly on the legitimate use of force within a territory to nudge you into acting as if those make-believe points were real.

And indeed, in a way, they therefore are real. So it makes some sense that you Narnians may be prepared to give up tangible things (Turkish Delight chocolates, for instance) in order to earn Narnia points, even if they are just arbitrarily made up.

But why on earth are the Englanders here prepared to give you their tangible stuff and labour in return for your points? 

Why would they do that, when they can see plainly that you just made them up? You won't allow the Englanders to make up Narnia points. (They have their own made up points, thank you very much). Englanders: don't you think accepting Narnia points in exchange for real things could be a bit of a slippery slope? You have no say over how many Narnia points exist. So what if Narnia decided to make up enough points to own everything in England?

Perhaps what we’re seeing is a polite euphemism for a differential in military power: England is likely to offer things for sale in Narnia points in proportion to the number of military bases Narnia has in England. "Hey England, gimme that! Here's your point, ha ha ha!" Narnia won't push it too much, of course, or England might start acting out. The delicate balance is to make them servile without making them sulk.

And perhaps there’s another delicate balance, as England accumulates more and more of these Narnia points, and therefore the possibility of gradually coming to own big chunks of Narnia. If you Englanders tactlessly spend your points on enough prime real estate -- buying up Cair Paravel and Deathwater Isle and Harfang and so on -- then Narnia may flex its muscles and say, "Now hang on. I think you’ve been taking these points a bit too literally. All points are not equal. In fact, you could say there are two kinds of points: the fast points, which is the day-to-day business of international trade, in other words (once the balance of trade has been calculated), you Englanders handing over some of your oil and GPS units and your clothing and getting nothing but points in return. But when you try to respond by gradually purchasing a big chunk of us, well! That’s more of a slow points matter. That starts to infringe on reasons of state, on sovereignty. And for slow points matters, we have Aslan on speedial." And Aslan swivels round in his swivel-chair and growls, "Sorry guys, there's no way we're going to let you redeem your long term trade surplus for a major say in Narnian civic affairs. We decide how much slow you're allowed in return for your fast, and it won't be much. We're the ones with the military bases, after all."

(By the way: does this ever happen? Basic mainstream economics of international trade tells us that trade imbalances are self-correcting, because exchange rates adjust so that over time if you're exporting more than you're importing, your currency appreciates, makes your exports less competitive, and gives your importers more purchasing power. But there are a lot of factors involved, and this self-correction might not happen. It might not happen, for instance, if an institution in England decides it's going to mop up all those Narnia points that are washing around, for instance by using them to purchase Treasury bills from Aslan.

More fundamentally, though, I find it difficult to know how to assess whether there really is any self-correcting mechanism that ensures that the tangible stuff that Narnia and England do for each other tend to equalize over time. I think it's pretty easy to imagine scenarios in which the balance of trade self-corrects, but you can tell at a glance that there's still horrific inequality in what each country does for the other. You know: England exports millions of units of clothing, textiles, footwear, furniture, plastic products, ceramics, electrical gizmos, and to balance it out, Narnia exports one unit of "inspection of military bases by Aslan" of equal value).

Well, I think that is an important mystery about money in the international system, and Stross is bringing it out in a quasi-allegorical way by emphasizing the vast gulf between star systems. It's important that the military power differential idea doesn't quite fit here. Stross insists that, “There is no sensible way to profit by invasion and conquest.” Nor is any tangible back-and-forth trade really possible: they’re mostly restricted to beaming information. (Beaming information, with Stross’s assumption of mind uploading, does also include what you might call human capital, or humans). It's a way of reminding us how weird it is that money even works at all across the boundaries of Westphalian sovereign states. Perhaps it's sort of a way of asking: is there a way of explaining the feasibility of money across Westphalian sovereign states, except by reference to military bullying?

2.

I'm not sure I'm competent to reconstruct the finance and economics around Stross's slow money. Maybe one day I will be! Here's a stab at it anyway. Comments appreciated, of course.

Stross does seem pretty clear that these are different kinds of money, i.e. different currencies, associated with different spheres of exchange or transactional orders (starships are never for sale in fast money, and ice-cream is never for sale in slow money. What we're grouping together as "fast money" might actually be various currencies, shortlived from the perspective of ponderous old slow money). So let's imagine a conjectural conjectural history about the origin of slow money as a currency.

I think it might have to be a conjectural conjectural history about establishing new a sphere of exchange. A powerful state charters a special new bank, which raises capital by selling perpetual bonds in the bank itself. These are bonds that never mature, so actually in a lot of ways they're like stock. Subscribers may take some heavy-handed persuasion to buy them, because although the perpetual bond itself is denominated in ordinary fast money (so you get fast money if you sell it on the market), it pays its coupons in slow money, which is an entirely new unit of account. Nobody knows what it is, and nobody trusts it. Even worse, the conversion between slow money and fast money is just appalling: I'm not sure how you ensure that except via price floors, and then you run into the problem that slow money is supposed to be more enduring than any particular legal or regulatory regime. Never mind, perhaps that aspect of it doesn't need to last. The main difference between a perpetual bond and a stock is that, unlike dividend payments, the bond's coupon payments won't be discretionary. Every bondholder knows exactly what their future stream of slow money payments will be. Perhaps this is even hard-coded into the technology, a bit like Bitcoin growth. The bank doesn't need discretionary powers over the slow money it pays out, though because it's never going to run out of slow money. It's the source of the stuff, the wellspring, uniquely permitted to print slow money.

So that's where slow money comes from. Where does it go? Slow money is only redeemable for anything at all by the chivvying of the government. The government creates tax and other incentives for certain kinds of producers -- starship builders and their suppliers and their suppliers -- to do some of their business in slow money. If you're doing anything remotely connected to interstellar colonisation, you suddenly find you can do a hell of a lot better if you start invoicing in a mixture of slow and fast money, using the slow money to pay suppliers and fast money to pay employees. These are of course probably the same firms the government strong-armed when they raised the capital for the bank (or at least institutional investors who are associated with them).

But the slow money takes horrifically long to move around. You can barely call it circulation. It oozes. Firms have to get used to a new way of doing business, where a significant proportion of their balance sheets is unconfirmed, beyond standard audit techniques. The whole thing is probably a logistics and an accounting nightmare.

But this government is strong and durable and pretty bent on driving these reforms through, and eventually you do get a new sphere of exchange and a new a banking infrastructure established. At that point, perhaps things can change. Perhaps the charter can be relaxed, and instead of a single creator of slow money (a slow money central bank) you can have many banks that issue those special perpetual bonds -- a self-regulating trans-epoch industry? -- perhaps? Anyway, assume that things are liberalised a little, perhaps by default as the particular government or civilisation that set the system in motion collapses, while the system itself survives. The way the sphere of exchange evolves -- whether it stays closely mapped to starship building and so on, or whether it becomes commensurable with other stuff -- is probably definitively shaped by its slowness. 

The notion that slow money is actually "slow" is problematic, because after all, what is to stop me from issuing IOUs denominated in slow money and circumvent the whole get-a-third-party-in-a-nearby-star-system-to-verify-it business?

The notion that slow money is "backed" by anything is also problematic, insofar as any legal regime or institution that could implement its redeemability must be more fragile and shortlived than slow money itself. (You could say the slow money banks are the exception, but we have to assume that their own fortunes rise and fall: at any given moment we can't rely on them to have any real power or assets other than slow money itself).

But slow money does have historical ties with star settling, ties which are so strong that by now we should be thinking of it as part of the deep technological know-how of that activity. To settle stars, you have to understand aerospace engineering, terraforming ecology, and slow money economics.

The notion that it is "stable" is also difficult to wrap my head around: it must surely be quintessentially volatile when priced in terms of any other asset, since on the timescales we're talking, those asset classes blink in and out of existence. On the other hand, perhaps from day-to-day the price of slow money in terms of fast money doesn't change much. It is pretty much immune to speculation. People don't buy slow money because they think the price is going to go up tomorrow. (They might conceivably buy slow money because the price is going to go up next century).

But before I go too far down this route: one of the problems is that Stross mentions slow money's very low interest rate. He doesn't seem to mean inflation.

Is this an interest rate on a loan? Let's say that a special investment company that holds a lot of slow money agrees to loan you, a star settling enterprise, the slow money you need to get your colony up and running. It will take twenty years from the time the loan is approved for you to actually get the money for definite (it has to be signed by a nearby star). It will also take twenty years or so from the moment you repay the loan for the investor to know for certain that you really have repaid it. Then there's the bit in the middle, where you actually have the money and do something with it, which will also take years and years and years. One argument is that because this an intrinsically long term loan, so it's intrinsically higher risk, so the interest rate should be higher.

Or perhaps we are, after all, talking not about a kind of currency, but about a kind of bond. So instead you could imagine that the three types of money are actually all the same currency, divided into three types of bonds. Or, fast money means "cash," medium money means ordinary bonds with 30-ish year maturities, and slow money means bonds with maturities of 1000 years. These bonds would be issued by star settling companies, and purchased by, say, pension funds that are trying to match their asset portfolios with their liabilities on that kind of time scale.

But then, wouldn't a bond only be as stable as the currency it is issued in?

Perhaps their yield contains some provision to deal with the vicissitudes of currency, including its collapses. E.g. (I'm just making stuff up now, there's no hint of this in the novel) they could be multicurrency bonds, and there could be a fixed formula by which certain currencies fulfilling certain criteria are added to or taken out of the bond along the way to maturity. When your 1000 year bond matures, none of the currencies you bought it in exist, but so long as they didn't all fail at once, your bond has gradually been translated into something of vaguely comparable value today.

3.

The whole thing could be an elaborate pun on "sunshine trading." In sunshine trading, high volume transactions are pre-announced to the market, allowing the market to prepare itself. This has the potential to reduce confusion, uncertainty, volatility, and get-rich-quick speculation. Perhaps slow money involves a similar attempt at transparency, using not just sunlight, but light bouncing between many stars.

Then again, even if we know a big transaction is about to be verified or not verified by a third party at a particular time, doesn't that just create more uncertainty?

4.

Well, I don't know.

But Stross’s conceit about slow money is intuitively plausible because (a) even if, like me, you don’t know that much about finance, you’ve soaked up the wisdom of financial economics enough to assume a three-way trade-off between risk, return, and liquidity (the ease with which an asset is convertible). So setting aside return, slow money feels solid, reliable, durable. And (b) this money asks us to do the same thing that interstellar colonization asks us to do, which is be patient. It takes time to transfer any slow money, and it takes time to convert slow money into medium or fast.

So can you design a currency to outlast the fall of a civilization? Not sure. The idea suggests to me the work of the Nazi legal theorist Carl Schmitt, and later left wing thinkers like Agamben and Mouffe who have been influenced by Schmitt, on “the exception”: the moments or frontiers where rule of law breaks down, and the question of whether a system of law can somehow include the exception within itself.

There could also be an interesting comparison to be made with gold -- a kind of value which though socially constructed like all monetary value, also seems to have a peculiar tendency to outlast the societies in which it is constructed as valuable. It’s hard to get gold and it’s hard to fake gold, in the same way that it’s hard to settle new star systems and hard to fake settling new star systems. You could say that gold is more like money than any currency considered in isolation: at any given time and place, gold might be a store of value, a unit of account, and/or a medium of exchange; often it fails in one function or another, but if you zoom out to the big scale, it fulfills these functions better than the Zimbabwean Dollar, the German Reischmark, the Roman Denarii, the US Dollar, or the British Pound Sterling.

The puzzle about money in the interstate system is an important one, but it is also an artificial one, born by exaggerating the extent to which a state is a circumscribed territory and a unitary actor (perhaps after the fashion of neo-realism in International Relations). In fact, states are not isolated atoms, sovereignty is not absolute, and the way monetary sovereignty works is an expression of that state of affairs. In the real world, rather than Stross's Freyaverse, the "stars" are overlapping and entangled. The institutions that make up points are likely to be multinational banks, sprawling between Narnia and England. Narnia and England are also implicated not only in a web of differential hard power and actual military conflicts, but in a web of other states like Belgium and Earthsea, as well as various MNCs, treaties, trade blocs, regional economic communities, International Non-Governmental Institutions, intergovernmental organizations. Secrecy comes into it as well.

And perhaps above all, the class and class fragment antagonisms within Narnia and England are also really important motors here. Monetizing debt, for instance, can be inflationary, and while inflation can be brutal and even murderous to the poorest and most vulnerable, it also has a tendency to erode large fortunes and large debts. So for those who survive, there can be a kind of leveling aspect to inflation: one of the reasons why mainstream economics -- which I have noticed, when all is said and done, is the science of toadying to the opulent -- is so fixated on keeping inflation low. (Not that we shouldn't care about price changes, or the kind of background unpredictability that makes it impossible to dream up projects and then realize them. Is there even a concept to describe violent changes within the price structure rather than overall price rises or decreases? I’ve never come across it). To return to our earlier example, the Narnian elite may well prefer to have England gradually come to own significant Narnian assets, rather than risk devaluing their Narnia point holdings in relation to both Narnians and Englanders.

So I think Neptune's Brood, whatever else it does, quietly points out the absurdity of thinking of polities as isolated, sovereign atoms. It's not just that globalisation has made it less true. Globalisation has only been possible because it was never really true in the first place.

That'll do for now.

Elsewhere: "In Neptune's Brood, how does slow money work?"
"Hard Social Science Fiction: Neptune's Brood"

Wednesday, December 9, 2015

New Genre Wednesdays: Utopian Science Fiction

I have invented a new kind of science fiction which I am calling "utopian" science fiction after its inspiration, Thomas More's Utopia.

Utopian science fiction is a very open-ended genre, except that it must include some complaining about how difficult it is to be a courtier nowadays, a whole bit about the best way to punish thieves, and an argument between a friar and a jester.

Toward the end of utopian sf some of the characters may go on holiday somewhere nice.

Friday, December 21, 2012

From "The Aesthetic Dimension: Aesthetics, Politics, Knowledge," by Jacques Rancière

What I call the law of the same can be epitomized by two notions that Derrida uses to characterize the consensual view of politics: sovereignty and brotherhood. Derrida endorses without discussion a widely accepted idea that the essence of politics is sovereignty, which is a concept of theological descent. Sovereignty in fact reaches back to the almighty God. God gave it to the kings. The democratic people got it, in turn, when they beheaded the kings. Political concepts are theological concepts that have hardly been secularized. According to this view the concept of the demos cannot have any specificity. It comes down to the concept of a sovereign, self-determined subject who is homogeneous to the logic of sovereignty that sustains the power of nation-states. Therefore the force of the democracy to come cannot be that of the demos. What comes under suspicion thus is not only the figure of the demos; it is the notion of a political subject itself and the idea of politics as the exercise of the capacity of anyone. Just as he identifies the concept of politics with the concept of sovereignty, Derrida equates the notion of the political subject with the notion of brotherhood. From his point of view there is no break between familial power and political power. Just as the nation-state is a sovereign father, the political subject is in fact a brother. Even the concept of citizen—which has so often been used and misused in French political discourse of the last twenty years—has no relevance in his conceptualization. Citizen is just another name for brother. We cannot but be struck by the force of Derrida’s polemics against brotherhood or fraternity, which include even a critique of parity—as if an equal woman, a substitutable woman, a “calculable” woman still was a brother, a member of the sovereign family. As he conceives of it, a brother is anyone who can be substituted for another, anyone who bears a trait of substitutability.