Wednesday, May 13, 2015

PR under FPTP

Any Member of Parliament could be elected on the following manifesto:
  1. "In Parliament, and in all my work with the public, and before public scrutiny, I will remain a spokesperson for my party. I will show the greatest sympathy to my party line, although I will of course take care to refine it, and to constructively criticize it, whenever my intelligence and my conscience suggest that that is necessary."
  2. "However, in any parliamentary vote, I will always vote according to the wishes of the majority of my constituents. Sometimes -- even often -- that may require me to vote against my better judgment. But I will do so, respecting the higher principle that I am my constituents' delegate in Parliament."
In constructing such a covenant for voters, the details are important. In particular, the details of how the MP would seek to know their constituents' wishes. The core mechanism would be secure and accessible online polling. But provision would have to be made for constituents who didn't have reliable internet access, or who couldn't figure out their phones. Some provision could also be made for constituents who were too beaten down, busy and/or jaded to actively involve themselves.

The covenant would also have to set precise thresholds which, if not met, would permit the MP a degree of discretion. At least two kinds of threshold would be involved. Ideally these should be interlinked, although there are also good reasons to avoid making the covenant too complex.
  1. A support threshold. The higher the proportion of constituents who support a particular vote, the more binding it should be on the MP. A very evenly split constituency should give the MP (or the MP's Whips' Office) the chance to exercise discretion. (For instance the covenant might include some provision like this: if fewer than 40% support a particular Bill, the MP must vote no, if it is 40%-47%, the MP may choose between no and abstention; if it is 48%-52%, the MP may choose between aye, no, and abstention; if it is 53%-60%, the MP may choose between aye and abstention, and if it above 60% the MP must vote aye).
  2. A quorum threshold. If very few constituents are interested in a particular poll, it may provide a skewed result. 
The covenant should also have a legal contractual form, so that constituents would have the option of pressuring a rogue MP through the courts.

At the present moment, the approach I have described might appeal to any single-issue independent candidate without a great chance of winning. It could potentially appeal to Liberal Democrat or even the Green candidates in some of their most hopeless-looking seats, and perhaps to Labour and the Conservatives in Scotland. At first it would have to varnish wonkishness with hope. If the approach were successful in winning a seat, or even in a startling gain for an outlier, it would no doubt be adopted by others at the next election.

As I see it, there are two main kinds of danger.
  1. New forms of voter intimidation, treating, and misinformation, new patterns of exclusion and disenfranchisement, and in particular, the rise of canny MPs who learn to filter and manipulate polling to produce whatever mandates they want. What if, after a few successful iterations, an MP "refines" this democratic practice, by introducing a short quiz prior to each vote, just to make sure that only "properly" informed constituents have their voices listened to?
  2. The public getting its way.

Tuesday, May 5, 2015

An excerpt from "Popular Magic: Cunning-Folk in English History" (2003/2007)

By Owen Davies.

Yet, the fact that cunning-folk like Walton unscrupulously imposed upon their clients is still no proof that they were completely cynical about the powers they professed. Walton evidently believed in the veracity of astrology, believed in witchcraft and the power of charms, and considered himself capable of achieving results in both areas; but to save time and effort, and also to satisfy the convictions of his clients, he cut corners and pandered to them rather than correcting their false suspicions.

Note on Mieville's The City & The City

Could we imagine crosshatched money?

It is not beyond imagining. But it is more difficult to imagine than any crosshatched space or object.

And this difficulty speaks to something about the nature of money. It tells us that money is closer in its nature to the one phenomenon which absolutely cannot accommodate crosshatching, the one thing which must be in Besźel, or in Ul Qoma, or in Breach.

That is, money is like people.

Monday, May 4, 2015

Quick Hugo thought

If none of this makes any sense to you, lemme suggest counting yourself lucky and not looking into it any further.

Some folk out there seem to be hemming and hawing between (a) No-Awarding the Puppies selections or (b) No-Awarding every Puppy-dominated category, since it would be totally unfair to give "The Day the World Turned Upside Down" a Hugo by default, and pretty unfair to give e.g. The Goblin Emperor a Hugo with reduced competition.

I'm hemming and possibly even hawing too, but I know exactly what would let me make up my mind: releasing the full nomination data. 

That way you could see who else could have been on the ballot. Then the procedure's simple: you construct a virtual ballot from a Puppy-free world (the kind of Stalinist disappearing we SJWs lurve) and make your choice. If your selection from the virtual ballot is on the real ballot as well, you vote for them above No Award; otherwise you No Award the whole category.

But we don't have the full nomination data, right?

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Also: Nate Silver has predicted a hung Hugo in the novel category, which means we're likely to see Skin Game forming a coalition novel with Ancillary Sword ... if they can reach an agreement. (Not really).

Elsewhere: "Instead of a sword, I carry two sets of tactical laser turrets." A frosty read-through of Puppy nominees by secritcrush.

Earlier: my sample proposal for reforming the voting system for the Hugo Awards. And possibly for the UK Parliament, now that I think about it. (Basically I've solved everything? Anyone want to help me work out the details? Any nifty coders, for example?)

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PS: Maybe it's a pity that the Hugo nomination rules are likely to be altered to reduce the influence of slates. Each iteration of the Sad Puppies campaign has been a little different, and it might be interesting to watch future mutations under the twin suns of Outsider Cachet and Basic Decency. Could they perhaps scrape together a genuinely diverse slate next year in terms of authorship, while still promoting mainly tie-in fiction, military science fiction, and conservative and/or libertarian science fiction? Could they exorcise Rabid Puppies and GamerGate? They are only a few tweaks away from someone like me giving them the time of day -- reading their nominations with a carjack-opened mind -- though I'm dubious whether they could make those tweaks without alienating their core supporters.

Vimes & Eggs

One of the things Terry Pratchett's City Watch series does is celebrate the keeping of the peace, and the rule of law. It therefore also finds itself celebrating the police.

1) The keeping of the peace and the rule of law are not to be sniffed at. Getting inside the head of Sam Vimes (Vimes is brave; Vimes is obstinate; Vimes is put-upon; Vimes is grouchy and ill-tempered in a way which is really a kind of grim good humour; posh people make Vimes's skin crawl; Vimes is a hugely reluctant social climber; Vimes struggles with his old-fashioned bigotry and sexism; Vimes doesn't have to be an idealist or a realist because he's just always a bit knurd; on some level Vimes is probably a bit overwrought that he has never quite had to sacrifice his life for the greater good; Vimes is prone to inner conflicts between an id-like "Beast" and a superego-like "Watchman"; Vimes is exactly the person you want with you in a tight corner; Vimes is (sorry) bae) is an excellent way not to sniff at them.

2) Nor should we forget the angle at which Pratchett first came in on the City Watch, imparting a general orientation to everything which followed. In the rhetoric of TV Tropes, these police started out as genre-savvy mooks (or redshirts, perhaps: and cf. e.g. John Scalzi's Redshirts, and the massacred henchmen of Austin Powers).

That is: one of the running themes of Guards! Guards! is the way in which stories treat certain minor characters as disposable, just to show off the swordplay and other heroic antics of the major characters. But here are characters who don't feel "minor" and who refuse to be disposable.

I really like, by the way, guessing at the shifting nuance of these translations of that excellent title. Look especially at the Italian, the Norwegian/Swedish, and at the Spanish:

Стражите! Стражите! (Bulgarian)
Stráže! Stráže! (Czech)
Wacht! Wacht! (Dutch)
Vahid! Vahid! (Estonian)
Vartijat, hoi! (Finnish)
Au Guet ! (French)
Wachen! Wachen! (German)
שומרים! שומרים! (Shomrim! Shomrim!) (Hebrew)
Őrség! Őrség! (Hungarian)
A me le guardie! (Italian)
I lovens navn! (In the name of the law) (Norwegian)
Straż! Straż! (Polish)
Guardas! Guardas! (Portuguese - Brazil)
Gărzi! Gărzi! (Romanian)
Стража! Стража! (Russian)
Straža! Straža! (Serbian)
¡Guardias! ¿Guardias? (Spanish)
I lagens namn (In the name of the law) (Swedish)
來人啊! (繁體中文)

3) Nor should we forget that what is fantastical about the City Watch isn't exactly that it includes dwarves and werewolves and vampires and trolls and so on in its ranks -- Captain Carrot Ironfoundersson, Captain Angua von Überwald, Lance-Constable Salacia "Sally" von Humpeding, Sergeant Detritus, Sergeant Fred Colon, Corporal Nobby Nobbs, Sergeant Cheery Littlebottom, Constable Reginald Shoe, Inspector A. E. Pessimal, Constable Igor et al., hi guys <3 -- which is really less extraordinary than the idea that the Watch is roughly representative, in many different ways (see note), of the population it polices.

The Watch is not an elite fraternity of mostly financially flourishing white men, whose individual kindnesses and cruelties mostly cancel out (as in the expression "oh, it'll all come out in the Watch"), leaving only their Job, and who will, if you try too energetically to advance a Vimesian agenda of peace, order, pragmatism, mild cosmopolitanism and substantive legal equality, come up to you and wound you, because that's their Job. Guard labour! Guard labour! In other words, there is an element of utopianism to the Watch -- or at least of a weirdly inverted satire -- since half the time it is the Watch's virtues, not its vices, that are grotesquely amplified and enlarged compared with Roundworld correlates.


4) But. There's no easy way to say this. You guys, Vimes is a cop. I hope it won't be too long before we will all look back at the crime fiction genre in general, and police procedurals in particular, and be absolutely mystified and a little horrified that (with a few exceptions) any of this celebration of the bullying, butchering carceral state was even intelligible, let alone successful as propaganda. And Pratchett is certainly part of that. His cops are cuddlier than most (in some cases literally).

5) Although the Watch sequence is interested in exploring the space between the voice that shouts "Guards! Guards!" and the voice that shouts "Police! Police!", it frequently finds that space to be unexpectedly cramped.

I think there is an intermittent discomfort with the whole idea of taking a police perspective in the first place, a restlessness which finds expression in many ways. The novel Night Watch is perhaps one big example, in which a time travel conceit lets Pratchett just park that liberal progress shtick, and stick his copper on top of a barricade in pitched battle against a repressive state.

But I also just noticed a small example in Thud!, which was really all I want to point out here. "Pig" is, of course, a way of referring to a police officer when you don't want to hear any excuses. It's a way of saying, "Because all humans, despite and because of our sublime diversity, are in some fundamental and important sense equal, the only truly inhuman thing anyone can do is a Job which wages endless war on that equality." It's a way of saying, "Become human again." It's a way of saying, "Quit."

It can be a way of saying, "Die," although this can also depend on things like vegetarianism.

In Thud! Vimes is, in two separate ways, associated with not the pig, but with the ambivalent figure of the pig-not-pig. A kind of Schrödinger's Pig.

The first is, of course, the "BLT" sandwiches with which Vimes hopes to evade Lady Sybil's health regime, and which contain either superabundant bacon and negligible garnish, or jungles of lettuce and tomato and next-to-zero bacon.

The second has a direct link with finance. It sees Vimes encircled by a spectres of frozen, temporally inverted pig meat. Vimes visits the Pork Futures Warehouse:
The Pork Futures Warehouse was one of those things, the sort that you get in a city that has lived with magic for too long. The occult reasoning, if such it could be called, was this: pork was an important commodity in the city. Future pork, possibly even pork as yet unborn, was routinely traded by the merchants. Therefore, it had to exist somewhere. And the Pork Futures Warehouse came into existence, icy cold within as the pork drifted backwards in time.
*   *   *

Note: Btw & fwiw: there's a fairly strong sociologically working class vibe in Vimes's Watch. How do their finances stack up? Setting aside the fact that the Discworld hasn't been pedantically worldbuilt in advance, and various mentions of salaries and prices don't always seem to quite fit together: if a Watchman gets $30 a month, then using the 50c-per-day rate for stable hands mentioned in The Truth as an analogue for the UK minimum wage, that would give us a back-of-the-envelope Watchman's salary of around £26,000, very close to the actual starting police officer salary in my part of Roundworld (although not counting overtime bonuses, which can be enormous: ultimately the Job is compensated at more-or-less the same level as dentists, accountants, and civil engineers, and a bit below architects, lawyers, and the lower tiers of finance professionals). 

Thursday, April 30, 2015

Thursday & Friday, free e-books

My Kindle titles are all free today (and some of them tomorrow):

Invocation (Critical Documents 2013): a slightly massive contemporary fantasy about muses

Marta and the Demons (Preyed Press 2014): a near future novella about cryptocurrency

Daiquiris & Demigods (Gluttony Press 2000/2014): an RPG that uses drinking instead of dice

Newb Maps of Hell (Preyed Press 2015): a small collection of SFF reviews

Three Lorqi Blinks tales (The Owl, the Pussycat and the Jetpack) aren't on Amazon, but they are free on Medium.

If you read something you like, you could be really patreonizing about it, or leave a review, or just let me know, so I can be really awkward about taking a compliment. If you see concrete stuff you think can be improved, I'd love to know about that too.

Wednesday, April 29, 2015

Unequal Pricing

So I continue to ponder Cory Doctorow's Whuffie, Charles Stross's fast/medium/slow money, and other exotic speculative currency.

But the one I'm thinking about this afternoon isn't from science fiction -- not as far as I know, anyway -- but from Georg Simmel's The Philosophy of Money (1900).

I'm interested in a somewhat adapted, purified and thinned-out version of what Simmel describes as "the system of unequal prices corresponding to the means of the consumer" (p.343). It is a kind of antithesis to the Thomist just price, and you can also hear echoes of a remark of Nietzsche's in Human, All Too Human:
[...] a shilling in the hand of a rich heir, a day-labourer, a shop-keeper, a student are quite different things: according to whether he did almost nothing or a great deal to get it, each ought to receive little or a great deal in exchange for it: in reality it is, of course, the other way round (§25)
I don't want to get into the Simmelian context too much, although it's worth mentioning that Simmel isn't proposing a reform: he is exploring an "ideal formation" (p.344) in which the antitheses between individual and society, and between object and subject are overcome. If you want a discussion which sticks closer to what Simmel actually wrote, look at the last chapter of Nigel Dodd's generally excellent The Social Life of Money (2014).

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This is a rather persnickety and belaboured post, by the way. Don't be fooled by the mention of Doctorow and Stross at the top. They don't reappear and there's no fun.

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So. Imagine a world in which the costs of all goods and services are expressed as proportions of the consumer's net wealth. Instead of a hotdog costing "$2," it might cost something like "0.0015%." For Bill Gates, that might translate to around $120m, and a little extra for onions.

(Let's also imagine that such a world is something of a #dataviz utopia -- and that consumers wouldn't have to calculate prices in dollar terms themselves, but would get to see each price displayed in both its percentage form (applicable to everyone) and its dollar form (applicable to that consumer specifically). I will use dollars throughout, by the way, although I could have picked any currency).

There is an intuitive egalitarian appeal to such a world. Fragments of it already exist, for example, in tiered prices for the waged and unwaged. Could we create such a world? Is it coherent?

(1) Unless a minimum price were established (denominated in the traditional way rather than as a percentage), each person might have technically inexhaustible purchasing power, after the fashion of Zeno's paradoxes. Whether you bought something costing 10% or 25%, your purchasing power would be the same afterwards.

(2) Even under the most generous assumptions about the transparency and reliability of banking information, the measurement of net wealth might be problematic. (In particular, people might tend to develop forms of value which lie just outside the sphere of official assets. In other words, people might develop sophisticated ways of looking poor. See also (6) below. It might also be difficult to calculate the value of interest-bearing assets and liabilities, if interest rates were considered to be prices, and therefore required adjustment according to the net worth of the borrower).

(3) There might be little or no incentive to accumulate wealth, since every increase in an individual's wealth would be perfectly cancelled out by corresponding increases in prices from that individual's perspective. You might even imagine people would stop working to the extent that society would fall apart.

(4) Prices might cease to signal information about supply and demand, and therefore fail as a mechanism for allocating productive resources. You might even imagine Soviet-style gluts and shortages.

(5) In particular, the profit or loss associated with any particular product might be extremely volatile. The sale of a hotdog to Bill Gates might involve a larger transfer of wealth than, for example, the sale of Microsoft to someone with very little money. Wealthy individuals might be pursued by swarms of hotdog vendors looking for that one big sale.

(6) If the system did last, it would be gamed by unscrupulous individuals like you and me. Let's assume that we trust each other or, at least, that we're in love. The first thing I might do is transfer 90% of my wealth to you as a gift. Thereafter, I would make all purchases for both of us, transferring things to you as gifts as appropriate. If necessary you could occasionally send me a tiny fraction of your wealth to top me up.

For example: assume a pogo-stick costs 1%. (Let's also set aside the Zeno's paradox aspect of (1) for the moment, by assuming that the percentages in this example lock in a dollar price at the time of the first purchase, and do not generate new dollar prices thereafter). Without this strategy, you and I could only buy 200 pogo-sticks at the cost of $1 each. Using this strategy, we could buy 2,000 pogo-sticks, which is more like it.

More generally, the issue of who was "actually" making any purchase would be a thorny one.

(7) For reasons similar to those brought up in (1) q.v., it would be complicated for people to pool together to buy things too expensive for them to afford individually, or to price anything at above 100%.

So it does not look good for our world of unequal prices.

But a little second-order thinking is also indicated. Here things get complicated and provisional. I'm sketching the barest outlines, which I hope to add to gradually (although I'll probably never get past a bit of crosshatching and shading).

For instance:

(1 + 2*) It just seems silly that unequal pricing should fall at the first hurdle, which is no taller than a comb.

So what if all your assets, not just financial ones, were counted in your net wealth? If each purchase automatically increased your net wealth by the same amount which you spent, then your purchasing power would not be inexhaustible. Rather, purchasing power would be a function of a kind of personal liquidity, rather than of wealth per se.

Let's say a peach costs 5% (because peaches are furry and gross) and a nectarine costs 99% (mmm), and you've got $100. Can you buy them both? It all depends how your net wealth is calculated. If your peach purchase reduces your net wealth to $95, then you can still have your nectarine (at the bargain price of $94.05). But if the value of the peach is added to your net wealth, then no you can't (the nectarine still costs $99 for you and you now only hold $95 in cash).

In this undiscerning form, unequal pricing involves some pretty unrealistic assumptions. Your peach asset will very quickly have depreciated into a gleaming peach-stone and a faint lingering smile: you won't be able to sell it on. In fact, depreciation becomes the central dynamic of resource allocation. So it might be worth investigating a range of procedures which would increase net wealth to only partly counterbalance expenditure, in order to reflect depreciation, or some concept like it. As an extremely simple example, however, there could be a fixed reduction across the board -- 50% of the price that you pay is added to your net wealth.

But let's set all that aside. Let's assume that assets are not added to your net wealth. Let's also assume that a price must legally be at least above zero: would purchasing power necessarily be inexhaustible?

Not if there were a minimum price, which could exceed your net wealth when it dropped to a very low level. A minimum price of 1c might emerge spontaneously. (Paradoxically, when you are down to your last cent, you can only buy the most lavish extravagances -- things which cost 100% -- otherwise the vendor won't be able to make change for you).

Alternatively, prices could be given by law a lower floor (e.g. $3). Or there could be a tiered system of price floors: for instance, groceries might cost a minimum of $1, durables might cost a minimum of $10, and big things like a Master of Science in Plant Biology or a prop from an Avril Lavigne music video might cost a minimum of $100. This more legislative approach raises the question of what should be allowed to count as single transaction: would there be a greater incentive to bundle multiple goods into a single good?

Even more important is how to determine such a taxonomy of goods and services (which price floors should apply to what) and at what levels the price floors should be set.

Perhaps those questions ought to be object of political struggle. (For instance, political struggle in a constitutional democratic form, so that more extreme changes require correspondingly stronger mandate, and changes to the system of struggle itself require the strongest mandate of all).

And/or perhaps price floor levels could be set to some extent outside of the political sphere -- that is, perhaps they could take on some of the flexibility associated with market-determined prices. They might thereby also take on some of their functions: to signal to producers to increase or decrease production, and to trigger mutations in consumers' preferences (e.g. innovations which modify the extent to which different goods are experienced as legitimate substitutes).

To take this a bit further: a completely deregulated scenario probably includes loopholes which cancel the whole unequal pricing conceit altogether: we might see producers setting extremely low "prices" (e.g. 0.0001% on all goods), and carefully differentiating the "price floors" to operate in exactly the same way as prices operate in our economies.

A weakly regulated scenario creates more interesting possibilities. For instance, producers might be free to price their goods (in percentage terms) however they like, and also free to choose their minimum floor (in absolute terms) but only from a fixed range of options, decided politically. A producer might have to decide whether a particular good belongs in the $1, $10 or $100 floor category. Or perhaps (if there were a few more tiers available, and a little closer together) producers might be able to compete not only on price, but on the interplay between percentage price and price floor.

There are also interesting lines of speculation in regards stronger regulation of price floors. One of these involves the data generated by price inquiries -- that is, the tailored calculation which confronts each individual consumer. This might be taken as a potentially useful estimate not of demand in the traditional sense, but of something resonant with demand -- consumer attention, or consumer preoccupation, perhaps. For example, you could envision the price floor of a particular good gradually rising, to help production meet rising consumer demand. It would of course be next to impossible to distinguish "real" attention to a potential purchase from "performed" attention, as part of an attempt to nudge price floors in a particular direction, without real intention to buy.

An alternative to the minimum floor(s) constraint is a periodicity constraint. Instead of the dollar cost of the good being calculated in relation to the consumer's net worth at the moment just before purchase, it could be calculated with reference to their average net wealth over some past period -- for instance, over the duration of the month prior to that in which the purchase is being contemplated. Prices would effectively be re-calibrated at the end of each month: if someone was impoverished before the end of the month, they would still face the same relatively high tailored prices that had been calculated and fixed at the beginning of that month. Structurally, unequal pricing might come to resemble a kind of automatic jubilee system. Depending on the details, the incentive structure could look very peculiar.

Or instead of discrete periods, the price could be continuously recalculated on the basis of, for example, the average net wealth of the consumer over the previous year. Large spikes and tanks might be smoothed out into a trend-line, to make the flickering leaps in prices a little less disconcerting. Thus someone who suddenly got rich (in dollar terms) would confront a manifold of steadily rising prices, whereas someone who suddenly lost a vast fortune (in dollar terms) would still find everyday items prohibitively exorbitant until they had spent some time in poverty.

(It would be interesting to think about such effects in relation to hedonic adaption; I also wonder if you could make a kind of liberal-moral argument in favour of them, since the poor would still feel the traditional liberal-conservative spur to creative autonomy in an economic mode, insofar as a vast fortune suddenly acquired would give significant power in the short term; should they ever become wealthy people in this way, they would eventually be encouraged to cultivate a good reputation and to invest in public works, not only as intrinsically good activities, but as the best kind of personal insurance against catastrophe. Perhaps).

Such refinements do not necessarily water down the principle of unequal pricing, since without something like them all prices would be completely equalized -- at zero -- by percentage-based pricing.

(3*) Significant changes in work patterns, and significant redistributions of production and consumption, would not have to involve the cessation or even reduction of work, production or consumption. As regards the labour market, see also (4*).

Furthermore, even without an incentive to accumulate wealth, a particular pattern of dollar-denominated "inequality" could persist. For example, relatively low-paid work could continue to be relatively low-paid, by sheer administrative, social and cultural momentum.

Furthermore, even under a system of unequal prices, there could be incentives to accumulate wealth in dollar terms. Wealth denominated in dollars could retain residual, unofficial purchasing power: those wielding larger sums could receive superior treatment on the noncontractable aspects of their transactions. Wealth denominated in dollars could continue to function in the articulation of sociological class and other cultural dynamics, for example.

(4*) Market spaces would not necessarily have to disintegrate. For one thing, insofar as the unequal pricing system would create a tendency to equalise net wealth, the percentage-denominated price of a good might not translate to so broad a spread of dollar-denominated prices as it would without this tendency. As an extreme benchmark, if everyone's level of net wealth were exactly the same, everyone would pay exactly the same price for each good, and the normal predictions and shortcomings of the price mechanism model would apply.

I'd like to do a lot more thinking on this point, however!

(5*) The profit margin on goods produced relatively cheaply and in high volume, and distributed evenly across different net worth cohorts, would not be particularly volatile. Specialised financing could be developed for different kinds of goods which necessitate smaller production runs and slower stock churn. The production costs of some goods could be highly flexible for the same reasons that their profit margins could be highly volatile.

If dollar-denominated "inequality" persisted, geographical, cultural and other factors might in practice create barriers to the purchase of certain goods and services by those who are poorer in absolute dollar terms.

(6*) The strategy described (you and me colluding, so that one of us hoards all our wealth, and the other one of us does all our buying) might attract effective normative censure. It also contains an internal tension insofar as it expresses strictly mercenary motives but relies on extra-economic trust. One possibility is that a counter-strategy of false alignment could emerge: you accept my gift of 90% of my wealth, but then you distribute it among good or hilarious causes as a rebuke.

Or there could be a simple fiscal disincentive: a tax on bank transfers. You and I would probably try to refine our strategy, perhaps acting as if we were in a commercial relationship, rather than a gifting one, to elude the transfer tax.

Alternatively, the strategy or one like it might be generally adopted. This could result in the world crumbling, or it could become incorporated into a relatively stable pattern of production and consumption. Prices for a particular good, in dollar terms, would converge greatly, since nearly all buyers would be the artificially impoverished member of a colluding dyad or cartel. They might however reflect differential levels of trust -- or coercion -- insofar as buyers might withhold a certain amount of wealth as a kind of insurance, even if it meant paying slightly higher prices. If the strategy were widespread, however, it can also be supposed that buyers would be less reliant on a particular hoarder, and if a particular buyer-hoarder dyad broke down, each party could shop around for a new partner. You could also suppose that the population won't divide neatly down the centre: one buyer could surely do the buying for several hoarders. One possibility is that there would often be slightly too many buyers chasing slightly too few hoarders, insofar as anyone losing all their money would be thrust into the buyer (under-?)class by default. But hoarders would also be heavily reliant on buyers, who would have the potential for significant power if they were able to organise politically. Indeed, you might expect a rather more complicated network of gradated strategic poverty to emerge, rather than just the two sharply distinguished classes of buyers and hoarders.

... that'll do for now!

WorldCon 2017: Site Selection Ballot

I always base my decisions about where to put WorldCon on wherever according to my preconceptions has the most reindeer nearby and possibly in supermarkets. So provisionally my ballot looks like this:

1) Helsinki
2) Montreal
3) Shizuoka
4) Washington DC

... although Joseph Tomaras has just about convinced me to switch two and three. He points out, "the sight of Mount Fuji would just get me thinking, 'why should I spend my time in Japan talking about science fiction in a convention center, rather than seeing Japan?'" and moves Shizuoka down a slot on his ballot. I'm the opposite. Whenever I get to go somewhere I've always really wanted to go, I get really nervous and rabid unless I have something stupid to do while I'm there.

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PS: From 2014, some terrorist-looking-dude trying to undermine free democracy as per: "There Should Be No More Back-To-Back US Worldcons. Ever."

PPS: Wish you could opt out of that additional $40 site selection fee.

Thursday, April 23, 2015

Pratchett's Satire


I think like a lot of us out there, I have been returning to the Discworld in quite a big way. I had one little thought about how Terry Pratchett’s satire (if that’s the right word) actually works.

It would be misleading to call Pratchett’s Discworld series a satire on heroic fantasy. What we actually find in Pratchett – including the earlier Discworld novels – is a highly flexible use of fantasy genre conventions, along with other kinds of intertextuality, for a variety of satirical ends. But that's not quite because "Pratchett's target isn't heroic fantasy" and rather "Pratchett's actual target is the world we live in." It's something else.

Rather, Pratchett’s satire tends to reconcile metafiction with worldbuilding. In other words, it dexterously balances itself between (on the one hand) artifice that asks to be interpreted in ways unavailable to Pratchett’s characters – the group “Dwarves with Altitude” in Soul Music (1994) cannot have heard of our own Roundworld Niggaz With Attitudez, just as the History Monks in Thief of Time (2002) are unfamiliar with Roundworld kung-fu cinematic cliches, even though they conform to them – and (on the other hand) a steadily accreting “secondary world” (cf. Tolkien 1947), which stands as if independent of our own, and asks its readers to become immersed in and emotionally coupled to it.

In part, such a reconciliation can happen because Pratchett’s points of reference are so diverse and diffuse. Even when an elephant wanders into the room, in the context of so much tacit megafauna, it needn’t necessarily hold our attention for long. Ankh-Morpork can serve as an example here: OK, obviously its strongest parallels are with London, but the city’s links with London and its links with other places – with New York, with Florence, with Rome (at various points in those cities’ history), as well as with fictional places such as Fritz Leiber’s teeming & labyrinthine Lankhmar – those links balance, cancel, contradict, ameliorate and complicate one another, so that Ankh-Morpork never settles down as a figuration any particular city.

That in itself is unremarkable. It is unremarkable that Ankh-Morpork possesses no perfect real-world or literary correlate, because most allegory is complicated in this way: it’s the ciphers, the perfect transpositions, the one-to-one correlations that are actually rare. And in fact, it’s exactly such one-to-one correlations which do make Pratchett’s satire remarkable. His work is capable of extremely specific and equivocal intertextual allusions, which somehow never ripple outwards to form a master key which would disrupt his worldbuilding. The River Ankh is a version the Thames, unmistakably; the Isle of Gods cannot not be a version the Isle of Dogs . . . and yet somehow Ankh-Morpork is unmistakably not just a version London. It is, for all its sins, Ankh-Morpork.

What I wonder is, firstly: does this sound right? Is it true generally in Pratchett's writing?

And, secondly: is it true when Pratchett writes about race?

Wednesday, April 8, 2015

Happy Puppies

There's a fantastically involved thread over at Making Light about voting systems and the Hugo Awards.

I've skimmed the conversation in great depth, & it seems like it's genuinely exemplifying two intellectual virtues allegedly core to the sf community's skillset:

(1) thoughtful extrapolation, and a certain kind of care & rigor, especially in mathematical and behavioural economic modes

(2) some IMAGINATION! Including imaginative reconfigurations of relatively recent socio-technological phenomena. E.g. there's imagination in the suggestion of an open list, updated in real time, of who's been nominated so far; the suggestion of a kind of semantic element to voting (an anti-sock puppetry rationale sentence); or in the suggestion of an opaque "black box" that disdains to explain its workings to mere puny humans.

BUT. Obviously I'd like to see even MORE imagination.

Science fiction is bursting with importantly wild thinking about the harvesting and interpretation of data, and the ways in which it can be coupled to human and post-human thinking and feeling. Why shouldn't our awards reflect that? Why shouldn't our awards be unlike any other? Why should we have to look solely to political science for models and methods? Why not look to science fiction?

For instance. Embrace debate. Think less in terms of an electoral system, more in terms of a weird new social media site where reading, fanning, and nominating - maybe even writing, collaborating, publishing, other things - are all linked together.

Or. Embrace bureaucratic tinkering. Add a Voting System category. Each year votes are aggregated according to whatever system won the vote last year.

Or. Embrace time travel. Any book hitting exactly 88 nominations per hour gets eliminated BUT it reappears on a FUTURE ballot (or even a past ballot somehow? This voting system would have to include provisions for resolving temporal paradoxes: e.g. if Scalzi's novel gets knocked back to 1990 and ends up displacing Hyperion, has it effectively killed one of its grandfathers? Will there be branching universes? Or will we be forced to realise that, by the Novikov self-consistency principle, somehow Hyperion was Lock In all along?)

Or. Embrace constitutionalism, and link the Hugos in some intricate way to the other big important vote: the bids to host WorldCon! E.g. establish a system of checks, balances and trade-offs so that if Anglophone geographies are dominating the Hugo nominations, there are at least compensatory nudges making it slightly harder for Anglophone locations to win the bids.

Or. Embrace war. Create a system that celebrates and encourages tactics, which does not try to suppress or mask our political differences but magnifies and elaborates them. Perhaps instead of a ballot you have a "deck" or "team" in which you choose your books, stories, films etc. and can also assign them various powers, tools, weapons, factional alliances, behaviours. Instead of simply counting, the whole battle or adventure or whatever plays out on a ginormous screen at the awards ceremony, accompanied by some pretty serious atmosphere.

Update, May 2016: With a little advice and encouragement from friends and Strangers on the Internet, I've gone ahead and made this a Thing (or almost a Thing). It's called the Sputnik Awards, and voting is now open! Call it an experiment in e-democracy; a collective experiential learning exercise; a pioneering use of people, technology and networks simply for the sake of it; the first phase of a new literary prize focusing on political and in particular socialist science fiction; or maybe just a strange prank. Whatever you call it, voting is now open.

Or something else. What can we come up with?

Why?

Partly because: whether or not bold, weird, glowing, exciting, reverberating reforms "fix" the awards, they have the capacity to BE a kind of speculative research valuable for its own sake. Or even: the awards have the potential to BE SCIENCE FICTION THEMSELVES.

And just because, hey, we're looking at options, so let's REALLY LOOK.

* * *

PS: There are a billion posts about the Hugo stuff more generally, BTW. See e.g. blogroll to the east, e.g. the suggestion of luring the entire American right into the Hugo Awards and setting fire to it, e.g. Cecily Kane pointing out that there are already thoughtful critiques of "Left" (?) SF&F (& the Puppies' half-assed crititasting is a step backward disguised as a step forward), and e.g. Amal El-Mohtar's suggestion of quietly adding recent events in genre literary awards to a more compendious list of horrific recent events.

PPS: These awards are important in the sense of fully invoking political faculties - political cunning, political passions, political association, AGON - every bit as thoroughly as, say, the UK General Election next month, but without the same weight as regards who gets deceived, deprived, degraded, uprooted, imprisoned, tortured, enslaved, raped, abandoned, murdered, and who doesn't!

PPPS: Earlier -- Gamified Personal Finance, Literary Awards Detox Year,
Scheme for Indie Award, Regurgitation.

PPPPS: I need to actually do a couple dry runs of that system, with dummy data, before anybody believes I'm serious, right? Okay, maybe I'll get round to that :P

PPPPPS: Update > also see Mike Selinker's "A Game Designer Tries to Fix the Hugo Awards"!

PPPPPPS: Update! The great Cat Valente is leading a conversation about making up some interesting awards over at File 770.