Thread. pic.twitter.com/ofIHGrH2DJ— Jo @ Waltcon (@JolixJoverflow) August 11, 2017
I wonder about the distinction between moments of estrangement in which the estranged person has a clear sense of for whom such moments are estranging, and for whom they are not, vs. moments in which the estranged person is simply disquieted in a way that offers no such distinctions, and a way in which they perhaps may assume to be universal.
I don't know yet how well that distinction would map onto the distinction between cognitive and non-cognitive, let alone how it might relate to science fiction, fantasy, horror, the weird, etc. What do you think?
Read the thread, if you like. This small sign being a text, might it offer an instance of literary estrangement? Was your first thought, "Why would you put up such a sign?" or "Why would you leave poop papers piled in a corner?" or "Good, that might help" or "If only I had a boss who would put up a sign like that"?
If the sign does offer an instance of estrangement, literary or otherwise, where does it stand as regards Suvin's distinction between the cognitive and non-cognitive? And can its status as cognitive and/or non-cognitive be reconfigured through conscious effort? Does reading the thread shift it from non-cognitively estranging to cognitively estranging? Or does it shift it from estranging to non-estranging? Or is there some other shift? Or is there some other shit?
The concept of "cognition," for Suvin, is loosely informed by Kantian critique (and less directly, feminist epistemology): cognition has something to do not only with recognising your object, but with recognising who and what you are.
So who encounters estrangement here? In the thread, among those whom I hint are less likely to encounter any sharp estrangement are:
- Greeks, Macedonians, Bulgarians, etc.